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GoA LECTURE SERIES at PCAP, Vienna Academy of Fine Arts

A series of three lectures by Marina Grzinic and Sophie Uitz is held during the summer term 2018 at the Post-Conceptual Art Practices study programme (Vienna Academy of Fine Arts). Each of the lecture includes a screening of documentary film and introduces one of the three research territories of the “Genealogy of Amnesa” to the students.

 

Part I
Belgian Colonialism in the Congo
23 April 2018, 4-7 PM

Presentation of the research project “Genealogy of Amnesia: Rethinking the Past for a New Future of Conviviality”, by Marina Grzinic and Sophie Uitz.

Introduction, screening and discussion of “King Leopold’s Ghost” (2006, 108min, documentary) by Pippa Scott and Oreet Rees – a documentary about the exploitation of the Congo by King Leopold II of Belgium, based on the book by Adam Hochschild King Leopold Ghost from 1998.

Part II
The Yugoslavian War
14 May 2018, 4-7 PM

Introduction, screening and discussion of Valentini Areh’s documentary “Radovan Karadzic’s Secret Plans” (2016, 51min, documentary for television).

The TV film shows newly retrieved materials and accounts obtained at the trial of Radovan Daradzic at the International Criminal Tribunal for the former Yugoslavia, Hague Tribunal. The documentary was premiered two days before the final sentence to Karadzic at the Haag Tribunal, 24 March 2016. Karadzic was sentenced to fourty years for Srebrenica genocide in BiH, Amont other criminal acts.

Valentin Areh is a Slovenian journalist, war correspondent and writer. He participated in 1991 as a soldier in the short Slovenian war for independence. He subsequently attended Ljubljana University, studying history and sociology. Areh has fiftenn years of experience as a war correspondent in places such as Croatia, Bosnia, Kosovo, Chechnya, Afghanistan and Iraq. He was one of the few journalists to remain in Kosovo during the Kosovo War of 1999 and he survived a tortuous escape out of the country during NATO’s war to expel Serbian forces.

Part III
Remembrance and oblivion of Nazi crimes in Austria
4 June 2018, 4-7 PM

Screening of “Night and Fog” (French original title: Nuit et brouillard; 1956, 32min, documentary short film). Directed by Alain Resnais, it was made ten years after the liberation of Nazi concentration camps. The title is taken from the notorious “Nacht und Nebel” (German for “Night and Fog”) program of abductions and disappearances decreed by the Nazis on 7 December 1941.

Screening of “East of War” (German original title: Jenseits des Krieges; 1996), a film by Ruth Beckermann (cinematography Peter Roehsler, editing Gertraud Luschützky).
White-tiled rooms, neon lighting; on the walls black and white photographs documenting the atrocities committed by the German Wehrmacht on the Eastern Front in WW2. Against this background former soldiers talk about their experiences beyond the bounds of “normal” warfare. An uncompromising film on remembrance and oblivion. Ruth Beckermann’s film doesn’t duplicate the exhibition, but begins where it ends: in a commentary. Its subject-matter is less about history than remembering, less about the past than the present.

GoA SYMPOSIUM in Vienna: Genealogy of Amnesia – Crushing Silences, Constructing Histories

(image: Christina Jauernik)

November 8-10, 2018

A symposium on the silencing of colonialism, anti-Semitism, and contemporary turbo-fascist nationalism in Belgium, Austria, and former Yugoslavia.

The international and interdisciplinary symposium, open to public audiences, is built as a podium for research and exchange, dissemination of knowledge, and discussion.

The two-day-long symposium hosted invited speakers that cover the central topics of our research in the three respective territories: memory and history, archives, and the axis of power and knowledge. The general objective of the symposium was to denote gaps between processes of institutionalized silencing, hegemonic processes of oblivion and amnesia, and processes of instituting power through building counter-memory and counter-history projects, interventions, and resistance. The aim was to demonstrate how processes for the establishment of counter-memory and counter-history can open up spaces for new ways of forming radicalized constituent politics. Collective struggles and oppositionality were investigated as the basis of a possible dismantling of neoliberal and necrocapitalist societies by means of re-empowering history that crushes silences.

For full symposium program and details click here


Gallery


EXHIBITION Stories of Traumatic Pasts. Counter-Archives for Future Memories

at Weltmuseum Wien
October 8th, 2020 to April 3rd, 2021

Curated by Marina Gržinić, Christina Jauernik and Sophie Uitz

Trailer-teaser of the exhibition in Weltmuseum Wien

The exhibition Stories of Traumatic Pasts: Counter-Archives for Future Memories focuses on three European regions, their stories, and their current experiences of collective amnesia in relation to traumatic events from the past: Belgian colonial rule in the Congo, Austria after the “Anschluss” in 1938, and the denial of war crimes since 1990 after the breakup of Yugoslavia.

Participating artists
Elisabeth Bakambamba Tambwe
Lana Čmajčanin
Bojan Djordjev
Dani Gal
Siniša Ilić
Adela Jušić
Martin Krenn
Monique Mbeka Phoba
Nicolas Pommier
Anja Salomonowitz
Joëlle Sambi Nzeba
Arye Wachsmuth
Valerie Wolf Gang

Posters and works developed by students of the Academy of Fine Arts Vienna (workshop with Arye Wachsmuth):
Negra Bernhard
Henrie Dennis
Iklim Doğan
Robert Jolly
Lars* Kollros
Shaya Safaisini
Hiba Shammout
Sophie Anna Stadler
Pia S. Weissinger
Ondrej Zoricak

The digital archive: COUNTERING THE GENEALOGY OF AMNESIA

7.10.2020 Opening speeches and performance
(closed for public due to Covid-19)

Speeches: C. Schicklgruber (director Weltmuseum Wien), J. Hartle (rector Academy of Fine Arts Vienna), S. Uitz and M. Gržinić (curators). Opening  performance by Elisabeth Bakambamba Tambwe and  Mani Obeya.

8.10.2020 Symposium
(closed for public due to Covid-19)

Taking part in situ or via zoom:

Elisabeth Bakambamba Tambwe
Lana Čmajčanin
Bojan Djordjev
Dani Gal
Siniša Ilić
Adela Jušić
Martin Krenn
Nicolas Pommier
Anja Salomonowitz
Joëlle Sambi Nzeba
Arye Wachsmuth
Valerie Wolf Gang
Lars* Kollros
Mika Maruyama
Shaya Safaisini
Pia Weissinger

Moderation by Marina Gržinić
Organisation by Sophie Uitz

Weltmuseum Wien
Heldenplatz, 1010 Vienna
Tel. +43 1 534 30-5052
info@weltmuseumwien.at
www.weltmuseumwien.at

Opening hours
Open daily, except Wednesdays, 10 am to 6 pm
Late Fridays until 9 pm: 30 October, 27 November



PUBLICATION: Dialogues for the Future: Countering the Genealogy of Amnesia

Dialogues for the Future: Countering the Genealogy of Amnesia, edited by Marina Gržinić and Šefik Tatlić (in collaboration with Valerija Zabret, Jovita Pristovšek, Tjaša Kancler, and Sophie Uitz), Centre for Cultural Decontamination CZKD, Belgrade, Serbia; Academy of Fine Arts Vienna, Austria; Peek Project No. AR 439-G24/IBK, 2020, ISBN 978-86-88001-19-9 (CZKD), 312pp.

Download free ebook version here

The book Dialogues for the Future: Countering the Genealogy of Amnesia arose from the research carried out by the PEEK Project No. AR 439-G24/IBK, whose full title is “Genealogy of Amnesia: Rethinking the Past for a New Future of Conviviality.” This is an interdisciplinary arts-and-theory-based research project funded by the Austrian Science Fund (FWF) and developed at the Academy of Fine Arts Vienna, from 2018 to 2020. During this time, we created an online video archive entitled “Countering the Genealogy of Amnesia.” It consists of seventy hours comprising eighty-two interviews/positions as well as the recordings of the symposium “GENEALOGY OF AMNESIA: Crushing Silences, Constructing Histories” held at the mumok in 2018, Vienna, thus tying together the three sites that constitute the “Genealogy of Amnesia”: Belgium, Austria, and Bosnia and Herzegovina/Croatia/Serbia and “Republika Srpska.”

This book comprises sixty-six interviews in the form of deep reflections concerning territories and histories of genocides, dispossession, racism, antisemitism, turbo-nationalism, discrimination, silencing, oblivion: Belgium, Austria, Bosnia and Herzegovina/Croatia/Serbia and “Republika Srpska,” Slovenia and Spain.

We hope this book will contribute to establishing links between the antagonization of racism/fascism and the critique of (neoliberal) global necrocapitalism as a colonial, racial system of dominance. It means that we are calling for the severing of ties between Eurocentric epistemology and its monopoly on the definition of class-sensitive, as well as feminist and LGBT*QI discourses.

Centre for Cultural Decontamination CZKD, Belgrade, Serbia
Austrian Science Fund (FWF): AR439
Academy of Fine Arts Vienna

Online book launch at Centre for Cultural Decontamination / Belgrade, 20.9.2020