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GoA SYMPOSIUM in Vienna: Genealogy of Amnesia – Crushing Silences, Constructing Histories

(image: Christina Jauernik)

November 8-10, 2018

A symposium on the silencing of colonialism, anti-Semitism, and contemporary turbo-fascist nationalism in Belgium, Austria, and former Yugoslavia.

The international and interdisciplinary symposium, open to public audiences, is built as a podium for research and exchange, dissemination of knowledge, and discussion.

The two-day-long symposium hosted invited speakers that cover the central topics of our research in the three respective territories: memory and history, archives, and the axis of power and knowledge. The general objective of the symposium was to denote gaps between processes of institutionalized silencing, hegemonic processes of oblivion and amnesia, and processes of instituting power through building counter-memory and counter-history projects, interventions, and resistance. The aim was to demonstrate how processes for the establishment of counter-memory and counter-history can open up spaces for new ways of forming radicalized constituent politics. Collective struggles and oppositionality were investigated as the basis of a possible dismantling of neoliberal and necrocapitalist societies by means of re-empowering history that crushes silences.

For full symposium program and details click here


Gallery


LECTURE at catalogue launch by Marika Schmiedt

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7 March 2018 at Vereinigung bildender Künstlerinnen Österreichs (VBKÖ), Vienna/Austria

Presentation of the catalogue by Marika Schmiedt: Words precede actions. The context of language, racism, economy and power

(© ARTBRUT 2018, supported by kültür gemma! Vienna)

The images and chronologies in these displayed materials are coming from the catalogue/publication Words Precede Actions with the subtitle The Context of Language, Racism, Economy and Power by Marika Schmiedt published in 2018 that displays racist genealogies of discrimination and the ghettoization of the Roma people in the West and East of Europe.

One part of her analysis consists of the research of racism, linking them to histories of the relationship between race and physical anthropology. As “racist scientific results” are used in sorting and exposing bones and crania collections in the museum. This takes us via Schmiedt to the Natural History Museum (NHM) in Vienna that has one of the biggest crania collections, assembled by the Austrian anthropologist Augustin Weisbach (1837–1914) in the second half of the nineteenth century in Europe. The anthropological collection at the Natural History Museum in Vienna includes 40,000 objects, human remains, including skulls, bones, hair, and body drains. The collection mostly contains relics from historical and prehistoric times, but also problematic chapters of human remains that mark colonial and National Socialist times.

The other part presents a gallery of “skeletons of important Austrian men” falling out of the closet of Austrian history. All these men are not solely vicious racists, having programmatic anti-Romaism agendas, but they are all anti-Semites:
Albert Geßmann (1852–1920)
Karl Lueger (1844–1910),
Josef Weinheber (1892–1945)
Taras Borodajkewycz (1902‒1984)

Josef Weinheber (1892 – 1945) a “respected” Austrian man, poet and essayist, who was largely under the literary influences of Rainer Maria Rilke, Anton Wildgans and Karl Kraus, was a member of the Nazi Party from 1931 until 1933 and from 1944 on. He committed at the time of the advance of the Red Army, leaving behind a clear-sighted parting letter. He was buried in the village of Kirchstetten, Austria, where he had lived since 1936. The municipality and the citizens of Kirchstetten, have honored for years the “great poet” Weinheber by transforming his house into a museum, dedicating a street, a square and a highway bridge in his name, decided to name a kindergarten in his honor. (From the text by Marina Grzinic in Words Precede Actions, 2018).

Lecture and introduction to Marika Schmiedt’s catalogue
by Marina Grzinic

[…] Words precede actions: language, words, and discourses have a powerful impact on concrete social issues, political decisions, media content, knowledge institutions, labor markets, the shaping of histories, memories, and subjectivities and defining of citizenship. Through mass media, public opinions, and widespread anti-Roma graffiti in public space, words have set in motion actions of constant dehumanization of the Roma, leading their conditions of poverty, segregation, and seclusion to become part of another rhetoric – the rhetoric of naturalization of these conditions. We can find at least three forms of displaying these processes of racialization in Schmiedt’s work. The second form that is as well central to the research Genealogies of amnesia displays mechanisms that I will label the gallery of “skeletons of important Austrian men” falling out of the closet of Austrian history. All these men, we are soon to learn, almost dumbstruck, are not solely vicious racists, having programmatic anti-Romaism agendas, but are all anti-Semites. Reviewing this frightening collection of men, which is by no means exclusively historical, but instead, reverberates persistently in present times, identified by generations of critical positions in Austria as the nation’s post-Nazi times. This past is preoccupying as hyper right wing neoliberal necrocapitalism is at its full power here and now.

The catalogue presentation at the VBKÖ was contextualized by an exhibition of Marika Schmiedt’s recent investigations on the Nazi-past of the Vereinigung bildender Künstlerinnen Österreichs (VBKÖ).

Translation: Investigations on how the Vereinigung bildender Künstlerinnen Österreichs (VBKÖ) [Austrian Association of Women Artists] deals with its Nazi past. We know only very little about the behavior of artists during the time of National Socialism. This is due to the fact that the ties to National Socialism are often not mentioned in their resumes. (Poster 1 of 3, conceived by Marika Schmiedt as part of the promotion of her catalogue/publication. Posters exhibited at VBKÖ, Vienna, March 7, 2018. Schmiedt©)
Translation: Helene von Krauss (1870–1950) Painter, VBKÖ founding member, vice president, clerk. The illustrations “Hitler-Huldigungen” [eng. “Homages to Hitler”] were published in large numbers and reissued several times. Hilde(a) Pollak-Kotányi (1874–1943) Painter, VBKÖ board member. Ilse von Twardowski-Conrat (1880–1942) Sculptor, VBKÖ founding member, vice president. Stephanie Hollenstein (1886–1944) Painter, VBKÖ president. (Poster 2 of 3 conceived by Marika Schmiedt as part of the promotion of her catalogue/publication. Posters exhibited at VBKÖ, Vienna, March 7, 2018. Schmiedt©)

Translation: Grete Kmentt-Montandon (1893–1986) Painter, VBKÖ president 1944–1968 Culture of tolerated silencing after 1945 Helene Funke (1869–1957) Martha Elisabeth Fossel (1880–1965) Sophie Noske-Sander (1884–1958) Elisabeth Kesselbauer-Laske (1884–1977) Auguste von der Heydt (1888–1968) Lilly Charlemont (1890–1981) Elfriede Miller von Hauenfels (1893–1962) Maria Fridinger-Engelhart (born?) and many others. Structural continuities What structures determine the VBKÖ? Insider relationships and keeping power? Obtaining the membership? Renting of ateliers, indefinitely? (Poster 3 of 3 conceived by Marika Schmiedt as part of the promotion of her catalogue/publication. Posters exhibited at VBKÖ, Vienna, March 7, 2018. Schmiedt©)

WORKSHOP on Hannah Arendt’s political thinking, Academy of Fine Arts Vienna

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March 11, 2019 – March 26, 2019 Vienna Workshop:
on Hannah Arendt’s political thinking

Workshop with Ruth Kager and the students of the Art Studio for Post-conceptual Art Practices (PCAP) and the students in general of the Academy of Fine Arts Vienna, at AkBild, Vienna.

Hannah Arendt’s political thought centers around a political space that draws on common action. Starting from this insight, each session of the workshop is dedicated to one of Arendt’s basic notions: the public realm, the societal and the private, action, power and judging. Building on these notions, the workshop investigates the constraints and potentialities of politics as thought by Arendt.

The contents are elaborated interactively, based on the sources below. The following questions will guide, amongst others, plenary discussions and group activities.

11/3/2019 // INTRODUCTION // THE PUBLIC REALM
What is the public realm?
Sources:
Arendt, Hannah (1973) [1958], The Human Condition (Chicago: University of Chicago Press), 50-57.
Arendt, Hannah (2010) [1960], Vita activa oder Vom tätigen Leben (München: Piper), 62-73.

12/3/2019 // THE SOCIETAL AND THE PRIVATE
What are the relations between the social, the private and the public realm?
Sources:
Arendt, Hannah (1973) [1958], The Human Condition (Chicago: University of Chicago Press), 68-72.
Arendt, Hannah (2010) [1960], Vita activa oder Vom tätigen Leben (München: Piper), 81-89.

18/3/2019 // ACTION
What are the characteristics of action?
How is action connected to politics?
Sources:
Arendt, Hannah (1973) [1958], The Human Condition (Chicago: University of Chicago Press), 175-180.
Arendt, Hannah (2010) [1960], Vita activa oder Vom tätigen Leben (München: Piper), 213-222.

19/3/2019 // POWER
What is the difference between power and violence?
How is power connected to different forms of government?
Sources:
Arendt, Hannah (1973) [1958], The Human Condition (Chicago: University of Chicago Press), 199-206.
Arendt, Hannah (2010) [1960], Vita activa oder Vom tätigen Leben (München: Piper), 251-262.

26/3/2019 // THE DESTRUCTION OF POLITICAL POWER // JUDGING
How is political power destructed?
What is judging?
Sources:
Arendt, Hannah (1951), The Origins of Totalitarianism (New York: Harcourt Brace), 123-134.
Arendt, Hannah (2014) [1955], Elemente und Ursprünge totaler Herrschaft. Antisemitismus, Imperialismus, totale Herrschaft (München: Piper) 286-307.
Arendt, Hannah (1961), “The Crisis in Culture. Its Social and Its Political Significance”, in: ibid., Between Past and Future: Six Exercises in Political Thought (New York: Viking), 217-226.
Arendt, Hannah (2012) [1960], “Kultur und Politik”, in: dies., Zwischen Vergangenheit und Zukunft. Übungen im politischen Denken I, herausgegeben von Ursula Ludz (München: Piper), 296-302.

Online Artist Talk Series 2021 “Stories of Traumatic Pasts”

All events will be held in English. The events will take place online!
Registration: info@weltmuseumwien.at

Adela Jušić in conversation with Marina Grzinić
Friday, February 19, 2021, 04:30 PM Amsterdam, Berlin, Rom, Stockholm, Wien

Adela Jušić was born on 1982 in Sarajevo, Bosnia and Herzegovina. Jušić has exhibited in more than 100 international exhibitions (Manifesta 8, Murcia, Spain; Videonale, Kunstmuseum Bonn, Germany; Image Counter Image, Haus der Kunst, Munich, Germany, Balkan Insight, Pompidou Center, Paris). In 2010 she won Young Visual Artist Award for the best young Bosnian artist in 2010, Henkel Young Artist Price Central and Eastern Europe in 2011, and Special award of Belgrade October Salon in 2013.

Martin Krenn in conversation with Marina Grzinić
Tuesday, March 16, 2021, 07:00 PM Amsterdam, Berlin, Rom, Stockholm, Wien

Elisabeth Bakambamba Tambwe in conversation with Marina Grzinić
Tuesday, March 30, 2021, 07:00 PM Amsterdam, Berlin, Rom, Stockholm, Wien

EXHIBITION Stories of Traumatic Pasts. Counter-Archives for Future Memories

at Weltmuseum Wien
October 8th, 2020 to April 3rd, 2021

Curated by Marina Gržinić, Christina Jauernik and Sophie Uitz

Trailer-teaser of the exhibition in Weltmuseum Wien

The exhibition Stories of Traumatic Pasts: Counter-Archives for Future Memories focuses on three European regions, their stories, and their current experiences of collective amnesia in relation to traumatic events from the past: Belgian colonial rule in the Congo, Austria after the “Anschluss” in 1938, and the denial of war crimes since 1990 after the breakup of Yugoslavia.

Participating artists
Elisabeth Bakambamba Tambwe
Lana Čmajčanin
Bojan Djordjev
Dani Gal
Siniša Ilić
Adela Jušić
Martin Krenn
Monique Mbeka Phoba
Nicolas Pommier
Anja Salomonowitz
Joëlle Sambi Nzeba
Arye Wachsmuth
Valerie Wolf Gang

Posters and works developed by students of the Academy of Fine Arts Vienna (workshop with Arye Wachsmuth):
Negra Bernhard
Henrie Dennis
Iklim Doğan
Robert Jolly
Lars* Kollros
Shaya Safaisini
Hiba Shammout
Sophie Anna Stadler
Pia S. Weissinger
Ondrej Zoricak

The digital archive: COUNTERING THE GENEALOGY OF AMNESIA

7.10.2020 Opening speeches and performance
(closed for public due to Covid-19)

Speeches: C. Schicklgruber (director Weltmuseum Wien), J. Hartle (rector Academy of Fine Arts Vienna), S. Uitz and M. Gržinić (curators). Opening  performance by Elisabeth Bakambamba Tambwe and  Mani Obeya.

8.10.2020 Symposium
(closed for public due to Covid-19)

Taking part in situ or via zoom:

Elisabeth Bakambamba Tambwe
Lana Čmajčanin
Bojan Djordjev
Dani Gal
Siniša Ilić
Adela Jušić
Martin Krenn
Nicolas Pommier
Anja Salomonowitz
Joëlle Sambi Nzeba
Arye Wachsmuth
Valerie Wolf Gang
Lars* Kollros
Mika Maruyama
Shaya Safaisini
Pia Weissinger

Moderation by Marina Gržinić
Organisation by Sophie Uitz

Weltmuseum Wien
Heldenplatz, 1010 Vienna
Tel. +43 1 534 30-5052
info@weltmuseumwien.at
www.weltmuseumwien.at

Opening hours
Open daily, except Wednesdays, 10 am to 6 pm
Late Fridays until 9 pm: 30 October, 27 November



Book review by Saša Kesić: Towards Marina Gržinić, Jovita Pristovšek, and Sophie Uitz (Eds.), Opposing Colonialism, Antisemitism, and Turbo-Nationalism: Rethinking the Past for New Conviviality

A book review on the edited volume “Opposing Colonialism, Antisemitism, and Turbo-Nationalism” was published on May 9, 2021 by Saša Kesić in the Identities: Journal for Politics, Gender and Culture journal.

Read the full review here.

Saša Kesić is an art teacher and independent researcher from Belgrade. He received his PhD in 2016 from the Department of Theory of Arts and Media, University of Arts in Belgrade. In 2020, he published the book That’s How the Queer Grew… in Contemporary Eastern European Art and Culture, in which he connected queerness, performativity and presentation.

“This volume provides a very comprehensive analysis of what was going on in former Yugoslavia, before the 1990s, in the time of the Balkan war, and after the 1990s. This is a very brave and difficult task as it is not possible to rely solely on the historical distance, as well as on the archives and documents of the past. This is the first time that such an analysis is put in parallel with the two other genocides. Furthermore, a very detailed analysis is presented regarding the changes in Europe at the fall of the Berlin Wall and then in the 1990s until today. The post-Srebrenica genocide time showed an even more bestial situation: that the Serbian society and “the Republika Srpska,”5 instead of reflecting on what happened, pushed a new dimension of amnesia. What we learn is that in Serbia oblivion changed into the glorification of the genocide. This is supported by hyper-populist and monstrous political’ nomenclature all the way to our present day when this volume is published. In the meantime, the same glorification is central for the imperial global capitalist forces – Trump is a very good case. Former Yugoslavia, in its belatedness, is another case, as it repeats on a smaller scale the Trump model. The politicians from Serbia to Slovenia (Aleksandar Vučić and Janez Janša) are such two cases.”

Excerpt from the conclusion of Saša Kesić’ review of “Opposing Colonialism, Antisemitism, and Turbo-Nationalism: Rethinking the Past for New Conviviality” (Marina Gržinić, Jovita Pristovšek, and Sophie Uitz (Eds.), 2020); https://identitiesjournal.edu.mk/index.php/IJPGC/sasakesic.

The review was published on May 9, 2021.